Yoko Ono: One Woman Show, 1960-1971, by Yoko Ono, Julia Bryan-Wilson
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Yoko Ono: One Woman Show, 1960-1971, by Yoko Ono, Julia Bryan-Wilson
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Yoko Ono: One Woman Show, 1960–1971 examines the beginnings of Ono's career, demonstrating her pioneering role in visual art, performance and music during the 1960s and early 1970s. It begins in New York in December 1960, where Ono initiated a performance series with La Monte Young in her Chambers Street loft. Over the course of the decade, Ono earned international recognition, staging "Cut Piece" in Kyoto and Tokyo in 1964, exhibiting at the Indica Gallery in London in 1966, and launching with John Lennon her global "War Is Over!" campaign in 1969. Ono returned to New York in the early 1970s and organized an unsanctioned "one woman show" at MoMA. Over 40 years after Ono's unofficial MoMA debut, the Museum presents its first exhibition dedicated exclusively to the artist's work. The accompanying publication features three newly commissioned essays that evaluate the cultural context of Ono's early years, and five sections reflecting her geographic locations during this period and the corresponding evolution of her artistic practice. Each chapter includes an introduction by a guest scholar, artwork descriptions, primary documents culled from newspapers, magazines and journals, and a selection by the artist of her texts and drawings.Born in Tokyo in 1933, Yoko Ono moved to New York in the mid-1950s and became a critical link between the American and Japanese avant-gardes. Ono's groundbreaking work greatly influenced the international development of Conceptual art, performance art and experimental film and music. In celebration of Ono's eightieth birthday in 2013, the Schirn Kunsthalle Frankfurt organized a major traveling retrospective.
Yoko Ono: One Woman Show, 1960-1971, by Yoko Ono, Julia Bryan-Wilson- Amazon Sales Rank: #966590 in Books
- Brand: Ono, Yoko/ Biesenbach, Klaus (EDT)/ Cherix, Christophe (EDT)/ Bryan-Wilson, Julia
- Published on: 2015-05-26
- Original language: English
- Number of items: 1
- Dimensions: 12.20" h x .90" w x 9.50" l, .92 pounds
- Binding: Hardcover
- 240 pages
About the Author Klaus Biesenbach is Chief Curator in The Museum of Modern Art, New York's Department of Media.Klaus Biesenbach is Chief Curator in The Museum of Modern Art, New York's Department of Media.Yoko Ono is a musician and multimediaartist. She lives in New York City.Julia Bryan-Wilson is Associate Professor of Modern and Contemporary Art at the University of California, Berkeley. She is the author of Art Workers: Radical Practice in the Vietnam War Era and her writing has appeared in Art Bulletin, Art Journal, Artforum, Oxford Art Journal, and other venues.
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3 of 3 people found the following review helpful. ... MOMA exhibit of Yoko Ono's early work is a wonderful experience. A range of work is included By Phillip D. Givens The MOMA exhibit of Yoko Ono's early work is a wonderful experience. A range of work is included,and shows the range and dynamism of Yoko's work. Yoko Ono has always been an artist in her own right; and it is good that MOMA has finally provided a show worthy of her talents.
2 of 3 people found the following review helpful. Poor Yoko - always under her husbands shadow By MarcS Poor Yoko - always under her husbands shadow. Its difficult for Lennons fan base to understand avant-garde. But that is the price of fame (and fortune). I think is probably an effort to show her as her own artiste. I think the only mistake Lennon made was to try and force feed avant-garde on the general public. As an artist, the public will not get it. Nor should they. So history will prevail and Yoko will still be persecuted. But at the same time she has had a very good life of very good fortune.
1 of 23 people found the following review helpful. Why would anyone buy this? Her only claim to ... By Rick Alexander Why would anyone buy this? Her only claim to fame is her ex-husband. She has no talent that I can discern. I would rather burn $40 than buy this book.
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