Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
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Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
Best Ebook PDF Online Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. From the music to their live concert sound systems and fan recordings, they were forward-thinking champions of artistic control and outlaw artists who marched to the beat of their own drums.
In Deal, Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was at the heart of the Grateful Dead experience. This was a band that knew no limits and Bill lived life to the fullest, pushing the boundaries of drugs, drums and high times, through devastating tragedy and remarkable triumph.
But at this book's beating heart is the music--theirs and others. Some of the greatest musicians and concerts were a part of the Grateful Dead's career, from sharing the stage with Janis Joplin, Bob Dylan, and The Who, to playing in the Acid Tests, The Monterey Pop Festival, Woodstock and Altamont. Bill's life is a chronicle of American music and pop culture history and his epic personal journey is one of sonic discovery and thrilling experiences.
Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen - Amazon Sales Rank: #69885 in eBooks
- Published on: 2015-05-05
- Released on: 2015-05-05
- Format: Kindle eBook
Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen Review
“Like any formidable memoir from a counterculture veteran, Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead is heavy on sex, drugs, and rock 'n' roll. You know the kind I'm talking about: hotel after-parties that snap into orgies, acid trips that trail across decades and more than 2,000 concerts that begin in small clubs and lead to gigs alongside the Great Pyramid of Egypt.But Bill Kreutzmann, founding drummer of the Grateful Dead, has produced more than just a tourist's guide. What emanates, maybe more than he intended, is a testimony to friendship and profound sadness when it abruptly ends.... The book is dense with acid trips and capers on both coasts and overseas. Dead fans will enjoy juicy stories. [Deal] reads like Kreutzmann is on the next barstool slapping your back between laughs.” ―Chicago Tribune
"A frank and revealing look at the group's touring adventures, complex interpersonal relationships and equally intricate music-making, and at Kreutzmann's own life, including his drug and alcohol issues, the inspiration of Native American chief Rolling Thunder and his mother's tragic suicide death." - Billboard.com
"Kreutzmann doesn’t mince words or pull any punches." - The San Diego Union-Tribune
"[Deal] offers plenty of insight, opinion, observations and analysis that are unique and of great interest to fans." - Houston Press
"A candid, freewheeling autobiography." - Philadelphia Daily News
"Admitting that Bill Kreutzmann will give equal space to the drugs along with the drums and dreams captures in a nutshell what made the Grateful Dead such a precious commodity all those years: they told the truth and didn’t try to hide anything. And that’s just what drummer Kreutzmann does, from page one." - The Morton Report
"What is different from other rock biographies . . . is Kreutzmann’s everyman observation. . . . It is a personal tale of universal intention told with humor and the sense of fun that was crucial to the experience of a Grateful Dead concert and the counterculture itself. Like the daily lives of every hippie freak (or an acid trip), it wasn’t always easy street, but it was always an adventure." - Counterpunch.org
"Kreutzmann is casual, matter-of-fact, unaffected and down to earth in a way that makes you feel you've known him for a long time. He can be blunt and brutal at times, but he always feels honest, which for me is the key to a memoir like this. He doesn’t sugarcoat and doesn’t make excuses. Being in the Dead meant lots of drugs, sex and mayhem, and the pages are laced with all of it." - VintageRock.com
"His informal style lends itself well to the increasingly fast pace of his life as he discovers the pleasure of music, his passion for playing and his abiding devotion to the Dead as they coalesced in the mid-Sixties." - GlideMagazine.com
About the Author BILL KREUTZMANN was the drummer and co-founder of the legendary rock band, The Grateful Dead. He played in every one of their over 2,300 shows from the first one on May 5th, 1965 until its dissolution following the passing of Garcia in 1995 and on every album. He lives in Hawaii.A veteran of stage and screen, Peter Berkrot's career spans four decades, and his voice can be heard on television, radio, video games, and documentaries. He has been nominated for an Audie Award and has received a number of AudioFile Earphones Awards and starred reviews.
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Most helpful customer reviews
133 of 141 people found the following review helpful. REVELATIONS about the REVOLUTION By W.T.Hoffman Imagine this--some old hippie has just bought the house next door to yours. It turns out to be Billy Kreutzmann from the Grateful Dead. The two of you become best friends, and Billy tells you all the intimate details of his entire life, stuff he's never been able to tell ANYBODY before. You get to hear everything. He shares tales about his childhood, how his dad sold Jerry his banjo, years before Billy ever knew Jerry himself, about losing his virginity, and how he fell in love with drumming. You're privy to all the biggest secrets, which nobody knows except you, Billy, and the other band members. You find out that Mickey didn't leave the Dead because he was embarrassed his father stole all their money. Actually, Billy divulges that the band fired him for being too strung out on heroin to drum properly. And when Mickey wanted to rejoin the Dead, Billy didn't want him brought back. He loved the freedom of being the only drummer. Of course you'd be shocked. Imagine your new best friend and neighbor confiding in you, that the Grateful Dead were into drugs. Geez, d'ya think? No, we're not talking about LSD and pot, we're talking about heroin, pills and coke. Billy says how he liked Donna as a person, but as far as her vocal harmonizing, Billy didn't think she belonged in the band. Most deadheads are aware of the basic history of the Dead, since so much had been written, for example Rock Scully's book (Living with the Dead). But Billy's book provides a first hand perspective. Billy lived in the various communes, with the other band members and their extended family, culminating in the famous 710 Haight street house. He doesn't hold back about anyone in the Dead. He tells the story how Pigpen and Janis Joplin were caught shagging each other on the Festival Express Train. Janis forgot to close the window blinds. You get the dirty details about Altamont, Woodstock, Monterey Pop, and the Human Be-in. (The Dead always blew the big gigs.) Of course, there's all the crazy rock god hotel destruction stories from the 70s, when they'd be all wired after a show, and would blow off steam by shooting fireworks. Or how Bobby thought it was funny, to pull out a snub nosed .38 revolver in an airport and start shooting it. (It was only a cap gun, but he did get arrested.) Billy tells you about the ugly fights between Keith and Donna, and how the two of them destroyed two cars, during an impromptu demolition derby in the hotel parking lot. Billy talks about the Europe 72 tour, and his favorite Grateful Dead gig of all time, performing before the Egyptian pyramids in 1978, surrounded by Bedouins on camels. Or imagine your surprised when Billy relates his crazy times with John Belushi, and their coke fueled parties. Ever hear of Rolling Thunder, the American Indian that Billy and his old lady lived with, in the desert? Its the part of the tale, where Billy confides his feelings on spirituality. He tells how the Dead almost broke up in 1974, from shear exhaustion. How the band tried to fund their own record company, and lost money. How Jerry overspent on the Grateful Dead movie, and lost money. How signing with Arista, led to their MTV hit "Touch of Grey", and made them LOTS of money. Billy lets you know how much he hated the cover of GO TO HEAVEN, and detested their last studio album, BUILT TO LAST. And how the band never were able to record their last album of new material. Fate intervened.Oh sure, you can bet Billy opens up with you, about all the dark days. You're shocked that Billy could trust you so much, to reveal so much. ("I've been much more open in this book than I ever was between my bandmates." pg 321) You're shocked, to say the least, how much he's been through. Not just the five wives, but how his oldest daughter disowned him. Or the two rehab experiences he had. Sure, Billy was upset when Pigpen died, or Janis, or when Keith died in that car crash, after leaving the band. However, when Billy confesses how his therapist told him to stop enabling his mother's drug habits, even tho she said she'd kill herself if he didn't keep the money flowing, and then when she did exactly that, you can just feel the heartbreak. Or how upset Billy was, when Brent O.D.ed from speedballs, right before he intended to clean up. But the darkest days in Billy's life, he tells you, all happened in 1995. "The worst year of my life", he bemoans repeatedly. Jerry had his fatal heart attack, the band imploded, his dad died, his girlfriend Pamela had lung cancer, and his drinking and drugging became uncontrollable. Of all the stories Billy shares, the breakup of the Dead was his saddest, in many ways. Maybe because it meant so much to him, and the death took so long to occur. The scene became toxic, sometime between Jerry's diabetic coma, and Brent death. Everybody in the band had become strangers to each other. It was a job, not a shamanistic cosmic journey. Jerry's playing had lost its spark, as his heroin use became so severe, that he's nod off during a solo, and had to be reminded what song he was playing. Or what the lyrics were. The Grateful Dead might have been headlining stadiums, but their playing had become so shabby, that Bruce Hornsby refused to play with them anymore. Even the audience behavior had become toxic by '95. Something had to give. After Jerry died, Billy couldn't even face playing the drums. Finally, as Billy gets you up to date with his life today, he cheers you up, by telling you about how he got his life turned around. The second rehab worked. He learned to love drumming again, and could once more listen to the Grateful Dead music, and play with his former band mates. Billy divorced his fourth wife, whom he never loved, and married his soul mate. They live in a beautiful home in Hawaii. Billy finishes his story on a note of hope.Of course, we aren't ever going to meet Billy Kreutzmann, or hang out with him for months on end, earning his trust, so he tells us his life's intimate details. However, out of the great love Billy has for the Deadhead community, he made the decision to trust his readers, with these amazing stories about his life, and his band. Even tho I never read Lesh's bio, I read other books on the Dead, so I know that DEAL breaks a lot of previously uncovered ground. Consider reading this, with a copy of a picture book like "Grateful Dead Family Album", to help visualize the colorful cast of characters that Billy calls friends. Pull out your Dead collection, and play it in the back round, as you read. Maybe put the book down from time to time, if you're able, to reacquaint yourself with the Egypt 78 movie, the Winterland movie, Festival Express, and the recently released Veneta Oregon concert from 1972. At certain spots in the narrative, Billy says that this or that event, can be found on Utoob. The book accomplished more that just revitalizing my love of the Grateful Dead, or feeding my appetite for war stories from the heyday of hippiedom. I really got to know Billy Kreutzmann. It brought me insight to a band, that I've always loved. When a book can not only teach you about an era and a band, but also share the life wisdom of a revolutionary figure in American culture, then that's a book that matters. Kreutzmann's DEAL is the real deal.
29 of 29 people found the following review helpful. Not Just Another Grateful Dead History By Moderate Risk This is the Grateful Dead Bill Kreutzmann's long awaited book and it doesn't disappoint. Kreutzmann is a founding member of the Grateful Dead and was a friend of Jerry Garcia from the time he was twelve years old. Few people have known Jerry Garcia better than Bill Kreutzmann. This book is more than a history of the Grateful Dead. It is an expression of the whole Grateful Dead concept. You learn about the relationship of band members to each other and to others. You learn about the three (at least) eras of the Grateful Dead.You delve into how personal relationships and phases affected the eras. Although you might think Kreutzmann has a bragging edge on certain events (don't we all) he is often brutally honest about his bad and unfortunate decisions. He doesn't make excuses for himself. He is also honest about what he considers the talent, commitment, etc., of various band members who have been part of the Grateful Dead. This book may hurt a few feelings among band members but it is honest and Kreutzmann also makes clear the good points of the same people as well as his love for them. The friendship connections to legendary rock, jazz and blues stars before they were famous is fascinating. The personal stories are worth the price alone.Let me now say this. If you can't deal with profanity, this book isn't for you. I'm not saying that every other word is profane but Kreutzmann does let it fly now and again when he discusses something emotional. It is just the way he is. Also, he reports doing some incredibly stupid and irresponsible things that, while they didn't turn out badly, could have been tragic. To me, it just adds to the character and flavor of the book, but some people I know actually get angry at authors who write such things. If you are such a person, this book is not for you. If hearing about how drug use may have favorably or unfavorably affected music creativity bothers you, then this book is not for you. However, if you enjoy an honest book with a lot of personality and can just accept without judgment, Kreutzmann's decisions and life for what they are, you will be treated to an amazing long, strange, trip that leads you into a world that only those who evolved into rock stars in the sixties and later became rock legends can understand. This trip of Kreutzmann's captures a time capsule of rock history that will never be repeated...and it ends in a way that will surely touch all those who read it.
20 of 21 people found the following review helpful. Worth the trip By Poogy Few people who aren't already fans are likely to read this, other than perhaps someone doing a research paper, but if you're a Deadhead, you'll find what Kreutzmann has to say interesting. Although there are other Dead memoirs, some of them pretty good, it's different to have one of the members himself, who was there at virtually every performance from the very beginning to the very end, not only offer his recollections but his opinions about other band members, the band's music, and so forth. It's not great literature, but hopefully no one expects it to be. With the help of his ghost writer, Kreutzmann comes across as thoughtful and insightful. The narrative is reasonably coherent and articulate. He covers the band's early years, the Europe tour in '72, the Egypt trip, the Festival Express, and other highlights. He doesn't shy away from some honest critiques of other band members, although he's gentle about it. Since it's a memoir, the book is about his personal life as well as about the band's history, and his personal reflections can be touching. Still, he wisely understands that most readers are much more interested in the Dead than in Bill Kreutzmann. (Of course, when you're constantly touring with the same crew for thirty years, your life and the band's life overlap a great deal.) Even a hard-core Deadhead is likely to pick up something from this, and it's a very pleasant way to fill in the gaps in your knowledge of the band's history and the culture from which it emerged.
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Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
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Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead, by Bill Kreutzmann, Benjy Eisen
